With Etudes for Cornet & Electronics, Stann—the solo project of Stan Nieuwenhuis—offers a contemporary reimagining of the étude tradition, from Arban to Vizzutti. Armed with nothing more than a cornet and Red Panda’s Particle 2 granular delay pedal, he investigates the creative tension and interplay between acoustic performance and electronic processing.
With Etudes for Cornet & Electronics, Stann—the solo project of Stan Nieuwenhuis—offers a contemporary reimagining of the étude tradition, from Arban to Vizzutti. Armed with nothing more than a cornet and Red Panda’s Particle 2 granular delay pedal, he investigates the creative tension and interplay between acoustic performance and electronic processing.
With Etudes for Cornet & Electronics, Stann—the solo project of Stan Nieuwenhuis—offers a contemporary reimagining of the étude tradition, from Arban to Vizzutti. Armed with nothing more than a cornet and Red Panda’s Particle 2 granular delay pedal, he investigates the creative tension and interplay between acoustic performance and electronic processing.
With Etudes for Cornet & Electronics, Stann—the solo project of Stan Nieuwenhuis—offers a contemporary reimagining of the étude tradition, from Arban to Vizzutti. Armed with nothing more than a cornet and Red Panda’s Particle 2 granular delay pedal, he investigates the creative tension and interplay between acoustic performance and electronic processing.
Stann (soloproject van Stan Nieuwenhuis) presenteert Etudes for Cornet & Electronics: een frisse blik op de klassieke etude-traditie van Arban tot Vizutti. Met enkel een cornet en het Particle 2 granular delay pedaal van Red Panda onderzoekt hij hoe akoestiek en elektronica elkaar kunnen uitdagen en versterken. Het concert is in samenwerking met Kunstgarage Franx […]
With Etudes for Cornet & Electronics, Stann—the solo project of Stan Nieuwenhuis—offers a contemporary reimagining of the étude tradition, from Arban to Vizzutti. Armed with nothing more than a cornet and Red Panda’s Particle 2 granular delay pedal, he investigates the creative tension and interplay between acoustic performance and electronic processing.
